SELECT CLIENTS
🦠 Wired Magazine
💙 Human Rights Campaign
💄 Morphe
🔴 YouTube
🏗️ Carhartt
📺 Apple TV
MEMO
↳ More recent work 🔎 available on Instagram.
PAPERWEIGHTS
2024 D&AD New Blood: The Portfolios Awards, Winner
2024 Indigo Design Awards Silver Winner in Infographics
2024 Indigo Design Awards Silver Winner in Digital Design
2023 GDUSA 61st Package Design Awards Winner
2023 The Design Kids Awards Winner
2023 Creative Review New Talent
2023 GDUSA Responsible Designer to Watch
2023 Fast Company Innovation by Design in North America
2023 GDUSA American GD Awards in Infographics
2023 Shorty Impact Award in News & Media
2022 Shorty Impact Award Best in Instagram Winner
2022 Webbys Diversity, Equity, & Inclusion Honoree
2022 Webbys Public Service & Activism Nominee
MENTIONS
CLIP: Why designer James Junk says you don’t need a plan to build a creative career
Wolff Olins: Celebrating creativity: Pride 2025
TDK: Why James Junk Believes Perspective Beats Perfection in Design
Stills: Designer Q&A: James Junk’s Unique Approach
Creative Review: James Junk on the benefits of collaboration
GDUSA: Andrei Dominiq (James Junk)
It’s Nice That: James Junk is the exciting new talent pioneering sustainable and diverse graphic design
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FOTOFOTO
Creative Direction
360° Campaign Production
Graphic Design
Digital Design
Copywriting
2024
Hiro Shinn, Founder
Ray Vasquez, Photographer
Mory Men, Talent
Zuzanna Mlynarczyk, Talent
Keanu Gutierrez, Talent
Matthieu Duran, Talent
Ever wondered where disposable camera shells end up after one use? Yeah, me neither. (Hint: they all go to landfill, where they’ll sit for the next 40,000 years!) That is until FOTOFOTO 📸 was born, the world’s first 100% up-cycled disposable camera (read that again!) Zero surprise they were featured in Design Milk, TIME Magazine, and snagged a Red Dot Design Award all before even hitting the market.
Long before launch, FOTOFOTO’s co-founders brought me on as the sole creative partner to lead the brand’s first-ever campaign—from concept to execution. I handled everything: creative direction, visual identity, copywriting, production, and design. The goal? Introduce FOTOFOTO to the world in a way that felt as easy and captivating as the product itself.
The result? A crayon-box-bright, color-happy still production starring four friends, each showing off one of the FF-1’s colors: Aspen, Atlas, Meadow, and Tulip. It was fun, it was loud, and most importantly, it reflected FOTOFOTO’s core ethos: joy, delight, and circularity.